Author: Lulu Coll-De-San-Simon

Lulu Coll- 

 Research Summary

The Belles Heures of Jean de France, Duc de Berry is a beautifully illuminated manuscript made by the Limbourg Brothers in the early 1400s. It was commissioned by the Duke of Berry, who was known for being a huge art lover and collector. This manuscript was created for his personal devotion, but it’s also a major flex—it shows off his wealth, power, and refined taste. The book is filled with vibrant, detailed images that mix religious stories with scenes of everyday life, all done in incredibly intricate detail with gold accents and rich colors.

One of the most famous scenes in the manuscript is the Adoration of the Magi, which is what I’m focusing on.

 What the Painting Literally Depicts

In this scene, we see the Virgin Mary holding the baby Jesus while three kings (also known as the Magi) kneel before them to offer gifts. Joseph is nearby, and the whole thing takes place in a stable-like structure. The kings are dressed in elaborate robes, and their gifts are decorated and luxurious. There’s also a glowing star above them that guided them there. It’s a very literal and detailed representation of the biblical story of the three wise men visiting Jesus. 

 What the Painting Symbolizes

This moment is symbolic of recognition and reverence. The three kings are seen as representatives of different parts of the world, so their visit shows that Jesus is being acknowledged as divine by all people, not just the local community. The gifts they bring also carry deeper meaning: gold for royalty, frankincense for divinity, and myrrh for the suffering that’s to come.

On top of the religious meaning, the whole scene also subtly reflects the Duke of Berry’s desire to connect himself with spiritual importance. By commissioning this kind of art, he wasn’t just being devout , he was reinforcing his elite status and legacy.

 What It Connotes or Suggests

Even though it’s a religious image, there’s definitely an undertone of performance and power here. It feels like the Duke wanted this to be both a prayer book and a status symbol. The richness of the imagery makes it clear that this wasn’t just about faith, it was more  about how faith was displayed. To me, it brings up ideas about how spirituality can sometimes be used to build an image or reinforce social standing.

Looking at it today, it’s easy to draw comparisons to how people present themselves on social media, curating their lives to appear a certain way, even when it’s deeply personal or spiritual.

 How My Remake Will Relate

In my remake, I want to explore the idea of modern image-making and performative devotion.

I am going to draw myself normally but give the background more of a gothic pattern vibe, what I will wear is up for determination.

Alternatively, I might flip the power dynamic entirely, and have everyday people—like a nurse, a delivery driver, or a single parent—offering something simple but meaningful, to show how quiet acts of devotion or kindness often go unrecognized.

 Pattern Choice

I’d love to use a pattern that adds to the concept—something decorative but with a twist. One idea is a Renaissance-style floral or gold pattern that slowly breaks apart or glitches, to represent how traditional structures (like the church, nobility, or even authenticity) are being questioned today. The pattern will act like a frame or backdrop to help visually reinforce whatever message I’m exploring in the piece.

I’ve chosen to explore climate protests and environmental action, focusing on the emotional and symbolic connection between humans, animals, and the Earth. With the increasing impact of global warming, extinction, and natural disasters, the planet’s suffering is being echoed in passionate climate protests around the world. I was drawn to this topic because of how deeply it connects people, animals, and nature and how visual the crisis has become.

My drawing will feature two central figures: a young climate activist and a symbolic representation of the Earth Possibly a woman with cracked skin and flowing rivers for hair, or a globe being held like a fragile object. Around them, I’ll include endangered animals (like polar bears, sea turtles, and birds) either interacting with the figures or fading into the background. A suited corporate figure or politician may appear distant or indifferent in the scene.
Another idea is a hand holding up a match burning earth.

I’ll represent the issue from a rhetorical point of view, evoking empathy for the planet and animals. I want the viewer to feel a sense of urgency, grief, and hope. I’ll use expression, symbolic interaction, and dramatic mark-making to reflect themes of loss, responsibility, and connection.

https://docs.google.com/document/d/1MgiNZ_uMAg5J9V8ruIq_bzKheEhj4dCjhvStVrSN77E/edit?usp=sharing